Ueh :
- Audrey Ginestet : bass
- Stéphane Mounica : guitar
- Frédéric Jean : drums
- Benjamin Glibert : guitar
click to listen a sample audio clip,
CAMBOUS / Ueh(“ueh_Cambous.mp3” [mp3 file, 6,6MB])
out of
And Ueh and Kawabata’s new album is to be available.
Pataphysical Overdrive To My Cosmos / Ueh & Kawabata Makoto
(Acid Mothers Temple[Japan]/CD/2004)
[data sheet of “Pataphysical Overdrive To My Cosmos”]
August
- 3 Tue. @ Schuba’s CHICAGO
- 5 Thu. @ Grog Shop CLEVELAND w/ Kinski with Kawabata Makoto
- 6 Fri. @ Middle East Upstairs CAMBRIDGE w/ Kinski with Kawabata Makoto
- 7 Sat. @ Khyber PHILADELPHIA w/ Kinski with Kawabata Makoto
- 8 Sun. @ NEW YORK w/ Kinski with Kawabata Makoto
- 10 Tue. @ DETROIT w/ Kinski with Kawabata Makoto
- 11 Wed. @ Southgate House NEWPORT w/ Kinski with Kawabata Makoto
- 12 Thu. @ Bloomington St.LOUISE w/ Kinski with Kawabata Makoto
- 13 Fri. @ Lawrence KANSAS CITY w/ Kinski with Kawabata Makoto
What’s Ueh? :
Ueh is an interjection, a sound, only three letters long. The group came into being in 1996, at the Maison DrÔle in Toulouse, France, in its most simple form it consisted out of Frédéric and Stéphane. Audrey joined their ranks in 1998, Benjamin and Rémi followed around 2001.
The direction of the instrumental compositions an sich, went rather quick, for the sound simply, since it is there at the moment when it is there, for its screening nature, the receptacle (each one projects its own images, without a sense coloration of a text for example), and in paradox also the image: in the beginning we project scenarios that does not permit us necessarily to put in place a structure of pieces but in any case attribute a coloration, an intention. We also remarked that despite us, these intentions really take shape at concerts, since we have the opportunity to present this to an audience. This has been marked even more since we have focused on improvisation. The rehearsals are often chaotic, rambled, but however………
